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Do you have the Act Two Blues?
Having problems with the middle of your screenplay? Running out of steam halfway through? Getting caught in subplots and slow spots? You may be having Act Two problems! Act Two has a reputation for being the hardest to write. This Blue Book will take you through the desert of Act Two, showing you how to solve those Act Two Blues!
Subjects Include: What Is Act Two? Inside Moves, The 2 Ps: Purpose & Pacing, The 4Ds: Dilemma, Denial, Drama and Decision, Momentum, the Two Act Twos, Subplot Prisms, Deadlines, Drive, Levels Of Conflict, Escalation, When Act Two Begins and When Act Two Ends, Scene Order, Bite Sized Pieces, Common Act Two Issues, Plot Devices For Act Two, and dozens of others. Over 67,000 words (that’s well over 200 pages) of tools and techniques to get you through the desert of Act Two alive!
File Size: 483 KB
Print Length: 208 pages
Publisher: First Strike Productions (February 12, 2013)
Publication Date: February 12, 2013
Sold by: Amazon Digital Services LLC
X-Ray: Not Enabled
Word Wise: Not Enabled
Enhanced Typesetting: Enabled
Works for Novels, too…
3 people found this helpful.
on December 28, 2013
By Just My Opinion….
One of the things I really appreciated about this Blue Book was that although it is written primarily by and for the screenwriters out there, the author frequently points out where the advice deviates for fiction/novels, etc. Film is (obviously) a strictly visual medium, so you can do different things with the image vs. the written word. the author touches on these differences as he goes through Act Two. Sometimes it is obvious, sometime a bit more obscure, but I appreciate the duality addressed.
One person found this helpful.
on December 29, 2013
By Christopher Kokoski, Author of THE CHALLENGE: A SIMPLE WAY TO SHARE YOUR FAITH WITH ANYONE, ANYWHERE, ANYTIME
This is an incredible book with do much great advice. It’s crazy it’s so cheap. Tons of ways to keep the middle of your story rolling.
Among the best series of screenwriting books there are
2 people found this helpful.
on April 18, 2014
By Robert Dent
These Blue Books are easily the best screenwriting books I have ever read, and deserve 6/5 stars. However, I almost gave this 2 stars due to the shocking amount of spelling mistakes in the book. I don’t want to turn off people from purchasing this book, though, hence the 4 star rating. Content alone is 5 stars, and if I am informed that these ridiculously easy to catch spelling mistakes have been fixed, I will gladly up my rating to 5 stars.
Keep Your Story Moving
One person found this helpful.
on March 18, 2015
By Ramon Rojas
Great information and comparisons with other movie scripts. For example, how does a writer write emotion in a screenplay for it to play well on film?
on August 20, 2015
This is great stuff. Martell keeps the information coming without bogging down in needless explanation. This is the first time I have ever fully understood what a MacGuffin is, largely because he uses several classic movie examples instead of just talking about a definition. I docked a star because it really needs an editor — missing letters, incorrect homophones, etc. It is hard to concentrate on the wisdom when you want to get out your red pen and correct the text. Still, the information is good enough to keep reading. I will be buying more of this series.
Great Content, Too Many Typos
on August 30, 2016
This really should be a five-star review, because the book is excellent. Great concepts, great examples and lots of great idea-starters for anyone in the writer’s block. But there is at least one careless typo on every page. It’s very distracting and degrades the content. I enjoyed the book and took many notes that I will apply to my little writing project, but one more round of editing would have been much appreciated.
on February 24, 2016
By Amazon Customer
This Blue Book shows how to get through Act 2 when the story is prone to slow down. All kinds of tools are mentioned to keep things going.
Need Help Cracking the Code?
on October 27, 2014
By The Tickling Hippo
I have read all but two of Bill’s e-book’s and each one of them pushes my writing further and harder than I thought possible! I have learned more from the Blue Book Series than I have from any other self-proclaimed guru, professor or Barnes & Noble wanna-be; if you want to crack the screenplay code that has mocked me for the majority of my life, stick with Bill, he’s all you need. Since I became a serious student of Bill’s I have had one script reviewed by Mort Nathan (Kingpin) who called it “a diamond in the rough”, as well as a script reviewed by agent Michael Kuciak, who called it “a high-concept story with massive franchise potential”. I am still an amateur but with each book from Bill I get closer and closer to cracking that ever elusive code! Thanks Bill, I want more soon!
Martell Nails It!
on August 29, 2013
By A. Anders
All of Bill Martell’s “Blue Books” are just fantastic. Now that the screenwriting magazines we knew and love have gone away, These books fill the gap with a much-needed and very useful “writing school” in a book. And you can carry all of them around in a little bitty pocket sized iPhone or iPod, ready to reference in a heartbeat, without losing your train of thought on that award-winning story you’re developing. How’s that for convenience? This title is particularly handy, since we all know how long and hard that middle 60 pages can be to fill! With Bill’s book, you’ll fill those pages with powerful scenes and interesting characters doing interesting things. Must have!
Brilliant – as always
on April 17, 2013
By W. Thielemans
The biggest Blue Book to date, loaded up with an avalanche of practical advice to avoid the act 2 slump and keep your screenplay burning on all cilinders right up to the very end.
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