Tag: c 1900 to c 1999

Film World: The Director’s Interviews (Talking Images)

Film World: The Director's Interviews (Talking Images) [Michel Ciment, Julie Rose] on . *FREE* shipping on qualifying offers. Film World brings together key interviews with cinema's leading directors. The directors chosen represent many of the most influential film-makers of the last 50 years. All have been selected because of their cinematic vision

Widescreen Cinema (Harvard Film Studies)

Widescreen Cinema (Harvard Film Studies) [John Belton] on . *FREE* shipping on qualifying offers. Ladies and gentlemen: THIS IS CINERAMA. With these words, on September 30, 1952, the heavy red curtains in New York's Broadway Theatre opened on a panoramic Technicolor image of the Rockaways Playland Atom-Smasher Roller Coaster–and moviegoers were abruptly plunged into a new and revolutionary experience. The cinematic transformation heralded by this giddy ride was

Black City Cinema: African American Urban Experiences in Film (Culture and the Moving Image)

Black City Cinema: African American Urban Experiences In Film (Culture And The Moving Image) [Paula Massood] on . *FREE* shipping on qualifying offers. In Black City Cinema, Paula Massood shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural South to cities in the North

Republic of Images: A History of French Filmmaking (Harvard Film Studies)

Republic of Images: A History of French Filmmaking (Oxford Medical Publications) [Alan Williams] on . *FREE* shipping on qualifying offers. Chronicling one of the greatest and most popular national cinemas, Republic of Images traces the evolution of French filmmaking from 1895―the year of the debut of the Cinematographe in Paris―to the present day. Alan Williams offers a unique synthesis of history

Choral Music in the Twentieth Century

Choral Music in the Twentieth Century [Nick Strimple] on . *FREE* shipping on qualifying offers. (Amadeus). Nick Strimple's all-encompassing survey ranges from 19th-century masters, such as Elgar, to contemporary composers

Music in the Early Twentieth Century: The Oxford History of Western Music

Music in the Early Twentieth Century: The Oxford History of Western Music [Richard Taruskin] on . *FREE* shipping on qualifying offers. The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative

Music in the Late Twentieth Century: The Oxford History of Western Music

Music in the Late Twentieth Century: The Oxford History of Western Music [Richard Taruskin] on . *FREE* shipping on qualifying offers. The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative

Music in the Twentieth and Twenty-First Centuries (Western Music in Context: A Norton History)

Music in the Twentieth and Twenty-First Centuries (Western Music in Context: A Norton History) (9780393929201): Joseph Auner, Walter Frisch: Books

Noise Music: A History

Noise Music: A History [Paul Hegarty] on . *FREE* shipping on qualifying offers. Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context

Making Music for Modern Dance: Collaboration in the Formative Years of a New American Art (Source Readings)

Making Music for Modern Dance: Collaboration in the Formative Years of a New American Art (Source Readings) [Katherine Teck] on . *FREE* shipping on qualifying offers. Making Music for Modern Dance traces the collaborative approaches, working procedures, and aesthetic views of the artists who forged a new and distinctly American art form during the first half of the 20th century. The book offers riveting first-hand accounts from innovative artists in the throes of their creative careers and provides a cross-section of the challenges faced by modern choreographers and composers in America. These articles are complemented by excerpts from astute observers of the music and dance scene as well as by retrospective evaluations of past collaborative practices. Beginning with the careers of pioneers Isadora Duncan
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