Tag: Duke University Press Books

The Remasculinization of Korean Cinema (Asia-Pacific: Culture, Politics, and Society)

The Remasculinization of Korean Cinema (Asia-Pacific: Culture, Politics, and Society) [Kyung Hyun Kim] on . *FREE* shipping on qualifying offers.
In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980

Displaced Allegories: Post-Revolutionary Iranian Cinema

Displaced Allegories: Post-Revolutionary Iranian Cinema [Negar Mottahedeh] on . *FREE* shipping on qualifying offers.
Following the 1979 Iranian Revolution, Iran’s film industry, in conforming to the Islamic Republic’s system of modesty

Kurosawa: Film Studies and Japanese Cinema (Asia-Pacific: Culture, Politics, and Society)

Kurosawa: Film Studies and Japanese Cinema (Asia-Pacific: Culture, Politics, and Society) [Mitsuhiro Yoshimoto] on . *FREE* shipping on qualifying offers.
The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. In this comprehensive and theoretically informed study of the influential director’s cinema

Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics (Asia-Pacific: Culture, Politics, and Society)

Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics (Asia-Pacific: Culture, Politics, and Society) [Yuriko Furuhata] on . *FREE* shipping on qualifying offers.
During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the “season of politics

The Tail of the Dragon: New Dance, 1976-1982

The Tail of the Dragon: New Dance, 1976-1982 [Marcia Siegel, Nathaniel Tileston] on . *FREE* shipping on qualifying offers.
In The Tail of the Dragon, Marcia B. Siegel and Nathaniel Tileston track the evolution of new dance in New York during the rich and crucial transitional period from the mid-1970s to the early 1980s. Siegel
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